#PSBPopCulture: Everything’s a Remix – April 28, 2016

Last week, we witnessed Kobe Bryant leave the game of basketball in unprecedented fashion. Scoring 60 points in front of the cultural icons such as Jay-Z and Jack Nicholson while millions sat at home to see one last Kobe performance. It was THE game we wanted to see. Although he started slow, he would find his rhythm while hosting up 50 shots en route to 60 points and the win.

Inevitably, there were Kobe detractors and one of the most notable was Jason Whitlock who guest-hosted on the Colin Cowherd show last Friday. In his comments (below), he called Kobe a fraud and a knock-off of Michael Jordan. This led to an interesting conversation with our PSB Pop Culture team about the idea originality in sport, music and art. Jonathan Hemingway and Jordan Davis dive deeper into this issue in this article.

By: Jordan Davis @JDavisPSB and By: Jonathan Hemingway @JLHemingwayPSB

What are your thoughts about Jason Whitlock’s comments about Kobe?

JORDAN: I’m not thrilled about his comment, however I am not surprised. The reason the statement is invalid is because it is based on the ideas that Kobe copied Michael Jordan’s game. Of course he did!!! This is basketball and the best part about basketball is when players find other players that they look up to and they study their game. You want to be able to find pieces of their game you can incorporate into your own and improve your performance. And Kobe didn’t just do this with MJ, he took pieces of all the historic basketball greats and tried to embed that into his arsenal of his game.

HEMINGWAY: Personally, I am not a Kobe fan. So I did not take these comments to be as blasphemous as many others within our circle at Peach State Basketball. I think there is some validity behind his points about Kobe being selfish and narcissist. His farewell tour was a near farce, but it was entertainment and it was what the fans wanted to see. However, his points about Kobe being a fraud I think are way off base. His comment, “Imitation is often a sign of fraud” is completely inaccurate. Kobe won five championships, a league MVP, multi-year All-Star, etc. etc. etc. There is nothing fraudulent about that. Kobe won! Whitlock can stop with that rhetoric.

Is Imitation Good For Sports?

JORDAN: Imitation is great for sports in two different ways. First, to truly be great at your sport you have to find a few people that are great at your sport and see what it is that gets them their success. That can be anything you want it to be. Players look at the greats work ethic, their pregame ritual and literally everything else that they do. Second, that is the only way sports will revolutionize into better and better competition. Players watching legends from the past and trying to do what they did, but BETTER.

Imitation is a transition method of historic events and greatness from one generation to the next. I was born in ‘95, so I didn’t get to watch Jordan. I did witness was Kobe, who because of this, became MY generation’s version of MJ. My generation didn’t get to experience Michael Jackson, but they did they get Chris Brown, Justin Bieber, and other artists that pulled pieces of Michael Jackson’s greatness.

HEMINGWAY: After coaching basketball for 15 years, let me share a not well-kept secret: Everybody tries to copy the winners. You see it with teams that win. In the NFL, organizations try to copy the Patriots. Now everyone is trying to copy Golden State in the NBA. Small Ball and stretch 4 and 5 players are trending. If there is one place in the world where originality has little to no value, it is in the arena of sports. In terms of individuals, you always teach youth players to mimic the successful players. You tell players to watch the footwork of a Tim Duncan or the shooting release of Klay Thompson. Everything is copied in sports, because you know that works. In terms of Kobe copying the posture, the style and the moves of MJ – he modeled himself after the best and he came very close to mastering those skills and he won. Let him live.

Is Imitation good for Music and Art?

JORDAN: I read a book by Mark Fisher, called Capitalist Realism recently. This book briefly touched upon this idea of imitation. He describes how “monetary value is the death of culture”, and so on and so on. But then Fisher talks about Kurt Cobain and his ideas on the culture of music. He referred to Cobain’s quote, “Everything is a cliche”. Kurt Cobain understood that his music would make him famous. Cobain knew that regardless of his fame, everything that could be done has been done. It is that inherent idea that everything that has taken place will continue to repeat on down the road. Because of this there is no true originality in music/art. Everything has already been tried, everything has already been done, all we can do is revamp it or contort it into something that looks new. Every artist has an artist or two, or several that they embed into their own art form. Even if it’s unknowingly.

HEMINGWAY: Much like in sports, musicians and artists take ideas or samples from their predecessors and make it their own. The most sampled song of all time is an 80’s track called La Di Da Di by Slick Rick & Doug E. Fresh. Ludacris and Mary J. Blige sampled it in Runaway Love when they scratched “like this” together (watch the video below). Color Me Badd sampled the phrase ‘to the tic toc you don’t stop” in their hit single “I Wanna Sex You Up.” Even Miley Cyrus put her own twist on the phrase La Di Da Di in her song 2013 song We Can’t Stop. She switches it up by singing “La da di da di, we like to party.” In many ways you can trace much of hip-hop back to this one song. Everything that we see in pop-culture is truly built upon something that came before. A key difference should be noted here. There is a difference between copying and imitation. Taking someone else’s work and putting your own name does stink of plagiarism. I am embarrassed to say that I have bought local rappers mix-tapes in parking lots. Only to find it is just a few teenagers rapping Young Jeezy and T.I. tracks. That is not imitation…it is a simple rip-off. However, when an artist takes a previous piece of work and takes it in another direction we can see the true value of creative imitation.

Ludacris – Runaway Love ft. Mary J. Blige

So what does it mean to be Original?

JORDAN: The true definition of originality is to be independent and creative. However there is no true originality in the world. Mark Twain once said, “All ideas are second-hand, consciously and unconsciously drawn from a million outside sources…”. After two semester of philosophy I just don’t believe there is such thing of originality.

HEMINGWAY: In my view, everything is original and nothing is original all at once. No one can walk in the same time and space as a previous athlete, writer or musician. The world changes by the day and the ways in which we encounter the culture change as well. We are unique and original by simply being who we are at this moment. Yet the thoughts, emotions, ideas that we have are all borrowed from those before us and even those around us. It is impossible to live life in a vacuum or a bubble. What is more important is using what we know and experience to mold ourselves into the best version of ourselves. That is true originality.

Is there a point where copy cats lose credibility? Or does it depend on their status?

JORDAN: There’s times when “copy cats” are badgered, the way Whitlock tried Kobe, or the way rap heads call Drake a “Culture Vulture.” Truth is, the people that attack their imitators are the ones that don’t understand it’s the way of life. When Young Thug first came on the scene everyone was saying, “Who is this Lil Wayne wannabe?”. Heck he even named his album “Barter”, after Lil Wayne’s “The Carter” album series. Now Young Thug is well known and commonly played throughout the world.

So at first, yeah the copy cats are made fun of and slandered. However once it starts to work and society looks passed the initial imitation, they develop a fan base and they are looked at as originators.

HEMINGWAY: I believe that the difference between a copy-cat and a true artist is being unique to the moment. Kobe may have borrowed MJ’s moves, but he brought LA back to championship status. Jay-Z has been accused of stealing Biggie’s rhymes, but he certainly made the 21st century his own. In the end, it does not matter who did it first what matters most is who did it the best. So in this way of thinking, “Everything’s a Remix.”

J-Davis-PSBPopCulture Jordan Davis is a contributor to PSBPopCulture.com with a unique blend of #PSBPopCulture reviews. Davis has been rocking the latest trends since arriving here in 1995. He is currently a student at Kennesaw State, a Social Media Intern with PeachStateBasketball.com and is well on his way to being the youngest in charge sooner than later.

HEMI-HEAD-SHOTJonathan Hemingway is a Chicago sports fan who reps the Bears, Bulls and Cubs. He’s also a diehard NFL Sunday Ticket subscriber. Like Clay, Hemingway’s music taste are wide-ranged and depend on the day. He is also a major part of PeachStateBasketball.com wearing multiple hats with the title of Director of Domestic Scouting and owning CoachHemi.com.

#PSBPopCulture: A Night in the Life of Palmtree JD – April 7, 2016

Being home from college is always the ideal time to take a break from schoolwork and as my co-worker Silvano Brewster says, “chop it up” with old friends. This spring break I decided to do just that and hit my people Evan Samuels and Terah Moore. Evan just touched down from shooting in New York and Terah got off early at Epitome (Dope shoe store in the city), so it was only right.

By: Jordan Davis @JDavisPSB

Evan and I rode into Atlanta around 7:30 where we linked up with Terah at this lounge called Instanblue. Quality Mediterranean food, great ambience, and even better conversation as we brought each other up to speed on our lives. In typical fashion, Evan ordered the 12 oz Atlantic Salmon with basmati rice, Terah got Hummus and pita bread, & I stuck with a flatbread magherita pizza. After about two hours of laughing and sharing our different pictures with each story, we decided to peel out.

We rode around the city trying to avoid that Atlanta Hawks traffic, scooped some snacks, & eventually arrived to Mattress Factory Lofts. The second session of our long conversations took place on the rooftop, overlooking the city. The night begins to wind down and we know it’s time to head out. 12:15 am and the city skyline is in my rearview mirror as we call it a night.

Songs included (in order of appearance):
– Tim Duncan x Tory Lanez
– Pop Style x Drake ft Kanye
– Come See Me x PND ft Drake
– East Liberty x PND

J-Davis-PSBPopCulture Jordan Davis is a contributor to PSBPopCulture.com with a unique blend of #PSBPopCulture reviews. Davis has been rocking the latest trends since arriving here in 1995. He is currently a student at Kennesaw State, a Social Media Intern with PeachStateBasketball.com and is well on his way to being the youngest in charge sooner than later.

#EntertainmentPSB: Pusha T Concert – April 1, 2016

ATLANTA – Pusha T is one of the rap game’s premier veteran acts. He came to Center Stage last month to perform on his “Darkest Before Dawn: The Prelude” Tour. The Virgnia native has had a surge as of late signing an endorsement deal with adidas and being named President of Kanye West‘s G.O.O.D. Music label. From bringing out The-Dream to running an hour-long set with no hype man, Pusha T delivered in a major way for the packed house.

Here’s a look at the night from my Snapchat Story:

Status: Pusha T Concert "That's that stuff I don't like." (Bang, bang)

A video posted by BrandonClayPSB (@brandonclaypsb) on

Brandon Clay serves as the publisher of PSBPopCulture.com. A self-professed entertainment, music and sports junkie, Clay has been on his game since picking up his first Nintendo and Sony Walkman in the early 90’s. Adding in a SLAM (Basketball) Magazine subscription in the late-90’s had him setup up for lifelong success. Clay is also a founding member of the “Luxury Boys Club” designed to stay on top of whatever is next in the world of PopCulture. You can follow him on Twitter @psbpopculture.

#PSBPopCulture: A Day in the Life – Central Gwinnett HS Banquet – March 16, 2016

In this segment, Brandon Clay speaks to the Central Gwinnett Boys Basketball program at their season-ending awards banquet. The Black Knights varsity team advanced to the Georgia High School State Tournament for the first time since coach Branden Mayweather took over for the 2013-14 season.

By: Brandon Clay @PSBPopCulture

Clay with recent Southern Wesleyan commit and Elite Basketball Academy alum, Kevin Stamps:

Kevin Stamps

Here is Clay’s speech to the Black Knights and their families:

Brandon Clay serves as the publisher of PSBPopCulture.com. A self-professed entertainment, music and sports junkie, Clay has been on his game since picking up his first Nintendo and Sony Walkman in the early 90’s. Adding in a SLAM (Basketball) Magazine subscription in the late-90’s had him setup up for lifelong success. Clay is also a founding member of the “Luxury Boys Club” designed to stay on top of whatever is next in the world of PopCulture. You can follow him on Twitter @psbpopculture.

#PSBPopCulture: Kylie Lip Kit – February 24, 2016

By: Taylor Johnson @KTaylorPSB

The Kylie Jenner Lip Kits have been the must have item for makeup addicts everywhere. Unfortunately getting your hands on one isn’t easy. Both times they have gone on sale all of the Lip Kits have sold out in less than 30 minutes. I was lucky enough to get my hands on two colors this time around because my sister, Brooke, texted me as soon as they went live. Kylie announces when the lipsticks go on sale on her social media with zero heads up. So if you want to be one of the lucky few that gets a kit, I suggest following her on Instagram or Twitter.

The Lip Kit is a matte liquid lipstick along with the matching liner. I might love the liner more than the actually lipstick. The liner glides on better than any other liner that I have used. I have never used a liquid lipstick before, but clearly I have been missing out. It goes on as easy as lip gloss but stays on like lipstick. It even smells amazing! The kit stays on for several hours however my suggestion is to wear a clear chap stick over the top of it. The chap stick reduces the chances of your lips drying out and less lipstick transfers when you are eating and drinking.

I decided to get KoKo K and Posie K. KoKo K is a neutral shade of light pink that is great for an everyday look. Posie K is a darker pink color with neutral undertones that makes more of statement. Posie K is definitely my favorite of the two! All of the colors have some kind of a neutral undertone, which is very on trend right now so honestly you can’t go wrong with any of the six shades.

The kits are sold at www.kyliecosmetics.com for $29. For now they are sold out, but if you are REALLY desperate they are being resold on eBay for an average of $200. However, I suggest you wait until she restocks and announces they are back up for sale.

After receiving mine in the mail, I had this message for team members Brandon Clay and Jordan Davis:

Tay-Jordan-Clay

Taylor-Staff-PicTaylor Johnson serves as Brandon Clay’s personal stylist and is one of the most fashionable people in Atlanta. She’s also the resident expert on Hulu and Netflix. While attending graduate school at Georgia State, she’ll contribute to various categories throughout the PSBPopCulture.com site. You can follow her on Twitter @KTaylorPSB.

#PSBPopCulture: Kendrick Lamar’s Effect on the Rap Industry – February 17, 2016

By: Donte’ Grant @DineroJones and Brandon Clay @psbpopculture

Donte’s Take on Kendrick at the Grammy’s:

Kendrick Lamar walked away last night with five Grammy Awards, one being obvious, best rap album. “To Pimp A Butterfly” is easily one the best albums of the last decade, of any genre. The Grammy’s one slip up last night was not recognizing its greatness and honoring it with Album of the year.

Brandon’s Take on Kendrick’s impact on the industry:

Lamar’s ability to win album of the year on a major stage this week without a “radio-friendly” single is validation that music content is still the most important part of the game. His style of dress, word content is very non-traditional in comparison to the status quo of the industry in 2016. Now Lamar has been on features ranging in genre as far over as Taylor Swift‘s “Bad Blood,” so it’s not as if he hasn’t built a name brand that allowed him to take a chance with his latest album. That said, Lamar represents a noticeable variation musically from some of the other mainstream A-List rap artists in Drake, Future. With samples including Lalah Hathaway on “Momma,” the album was so appealing to me that I completely skipped over “These Walls.” I just got to dive into that track during the Christmas Holidays.

Donte’s Take on To Pimp A Butterfly:

Kendrick Lamar’s critically acclaimed, instant classic plays out like a Spike Lee film in sound.  Though it doesn’t explicitly bill itself as a movie like good kid, m.A.A.d city did, but the seamless interlocking dramas contained here feels filmic nonetheless, and a variety of characters appear across the album’s soundscape.

The opener, “Wesley’s Theory”, turns the public downfall of Wesley Snipes into a kind of parable. Snoop Dogg drops by on “Institutionalized”; Dr. Dre himself phones in on “Wesley”. The mood is wry, theatrical, chaotic, ironic, and mournful, often all at once; yet it all blends together effortlessly: On “For Free? (Interlude)” an impatient woman ticks off a laundry list of demands before Kendrick snaps back that “This …. ain’t free!” and roars through a history of black oppression, spoken-word style, definitely a highlight of the album.

The album is dotted with religious moments and analogies, like modern bible passages written by an urban man. God even appears in the guise of a homeless man in “How Much a Dollar Cost”, and closer “Mortal Man” ends on a lengthy, surreal dream interview with the ghost of 2Pac and Kendrick himself. 

Screen Shot 2016-01-25 at 12.29.24 PMDonte’ Grant is a contributor to PSBPopCulture.com. He’s been a part of the team since playing pickup basketball with Clay at the Georgia Southern recreation center. Grant, a 10-year music industry veteran, a former A&R at Atlantic Records, Jeezy’s CTE label, and founder of TheOrganizedGrind. Follow him on IG @MuchoDineros and Twitter @dinerojones.

Brandon Clay serves as the publisher of PSBPopCulture.com. A self-professed entertainment, music and sports junkie, Clay has been on his game since picking up his first Nintendo and Sony Walkman in the early 90’s. Adding in a SLAM (Basketball) Magazine subscription in the late-90’s had him setup up for lifelong success. Clay is also a founding member of the “Luxury Boys Club” designed to stay on top of whatever is next in the world of PopCulture. You can follow him on Twitter @psbpopculture.

#PSBPopCulture: Deeper Than Basketball – February 12, 2016

By: Brandon Clay @PSBPopCulture

I was on hand to watch Branden Mayweather and Geoffrey Pierce coach their school teams to Georgia High School state tournament bids yesterday. I’ve known them both since we were students and to watch them positively impact the next generation in their own way is refreshing. Mayweather walks the sidelines in a suit and tie with hard bottom dress shoes. Pierce does his 1-2 in a short sleeve polo, khaki pants and a crisp pair of Jordan’s. Let’s rewind to how it all came full circle last night.

I met Branden 17 years ago in the old gym at North Gwinnett High. At the time, he was a seventh grader playing for Bill Green‘s Northeast Atlanta Hawks club team. I was a senior at North when Bill asked me to come and help coach the team. Basketball has always been a passion of mine so I decided to give it a shot. Over the course of the season, Branden and the other kids including Lee Burrell, Jason Cook, Jake Green, Isley Malone and Darren Williams amongst others. Some of those guys went on to play high school varsity and even at the collegiate level with Mayweather being one of them.

After the Hawks season ended, I headed off to college myself at Georgia Southern University where I connected with Geoffrey. Ironically, he attended high school at Central Gwinnett before heading to Statesboro for college himself. It was living next door to Pierce on a campus best known for winning football national championships where my vision for Peach State Basketball, Inc., rose from the concrete like a tree in Brooklyn.

Screen Shot 2016-02-11 at 6.03.13 PM

Sidenote: Special shoutout to Brookwood coach Daniel Bowles whose team lost a tight one to Pierce in yesterday’s state qualifying matchup. I remember playing pickup ball at the YMCA with Bowles during his days as a student at Brookwood. He was passionate about the game back then and might just be more passionate about it now.

Pierce and his roommate, Chapman Logan, were there every step of the way as the G(winnett) Co. Report got off of the ground. Websites were far more primitive with fonts and graphics being limited making content king. We spent hours to develop what was a groundbreaking site complete with rankings and player interviews.

Screen Shot 2016-02-11 at 6.12.17 PM

“The GCoReport”

Along the way, Pierce developed an itch to teach the game himself chasing the dream to Grayson High in 2013 after working at Meadowcreek. Logan and another GSU alum, Sam Clonts, still support Geoffrey’s calling to this day and were on hand for Grayson victory last night.

All the while, Mayweather was building his resume with a stint as an assistant at Archer before accepting the head job at Central in 2013. Along the way, he’s become an integral part of the Peach State Basketball family and his facility serves as the hub for all of our Elite Basketball Academy camps. He’s even hired Front End Supervisor, Vincent Smith, as a part of his Central basketball operations staff.

Mayweather and Pierce are prime examples of the fact that relationships are everything in life. For the young men they coach now will become the next generation of coaches, leaders and teachers. I just hope they’re listening and paying attention. If so, they too will have a story to tell about how the game of basketball helped them build lifelong relationships with first class people.

Brandon Clay serves as the publisher of PSBPopCulture.com. A self-professed entertainment, music and sports junkie, Clay has been on his game since picking up his first Nintendo and Sony Walkman in the early 90’s. Adding in a SLAM (Basketball) Magazine subscription in the late-90’s had him setup up for lifelong success. Clay is also a founding member of the “Luxury Boys Club” designed to stay on top of whatever is next in the world of PopCulture. You can follow him on Twitter @psbpopculture.

#PSBPopCulture: Who is Bob Dylan? – February 10, 2016

By: Jonathan Hemingway @JLHemingwayPSB

Bob Dylan has played important part of my life. You have to understand that my father used to spin Dylan vinyl albums in our living room when I was a child. We would listen to Dylan albums on cassette tapes on the way to Wednesday night church. And of course there was always the Highway 61 Revisited album in the stereo when my dad and I would play table tennis in the basement. Recently, Jimmy Fallon impersonated Bob Dylan on the Tonight Show doing a rendition of Drake’s Hot Line Bling to the tune of Dylan’s Positively 4th Street.

For the millennials who may not know who Bob Dylan is, here are some quick hitters on what most people associate Dylan with:
-Bad singing
-Harmonica Playing
-Folk songs

While it was not actually Dylan singing on the Tonight Show, it was a pretty accurate impersonation of Dylan. So who is Bob Dylan and how did he become such an iconic figure within popular culture?

Here is My Answer…

Before the hippies turned America upside down in the Sixties, the beatniks were the counter-cultural influence in America in the Fifties. It is out of their embracement of folk music that Dylan emerged as a cultural leader. In fact one of his more popular songs from 1963, Blowin’ in the Wind, spoke to wide audience of people. Take the opening the lines of the song as an example:

How many roads must a man walk down
Before you call him a man?
How many seas must a white dove sail
Before she sleeps in the sand?
Yes, how many times must the cannon balls fly
Before they’re forever banned?
The answer my friend is blowin’ in the wind
The answer is blowin’ in the wind

The first two lines could be interpreted as a questioning of America’s segregation system. The mentioning of doves and cannon balls could be alluding to the Cold War with the Soviet Union or the imminent war of containment in Asia. 1963 was an important year in American History. It was the year that Dr. Martin Luther King gave his “I Have a Dream Speech” in Washington DC. It was also the year that John F. Kennedy was assassinated. And the country was on the precipice of sending American men to Vietnam. It is impossible to quantify just how influential Dylan was with his music and anti-establishment message.

The pattern of Dylan’s career could be simplified to this: He refuses to be pigeon-holed. In 1965 he hooked up an amplifier to his guitar, went electric and turned his back on the folk music community. In one of the recordings of his early live electric shows you can hear Dylan yelling at his band to “Play f*&%king loud!” This was the ultimate snub to the beatnik/folk music community that was rejecting everything modern, including electrified rock music.

Dylan produced three Platinum albums during this period that would be anthems of counter-culture movement of the 60s. Songs such as Like A Rolling Stone, Highway 61 and Rainy Day Women #12 & 35 would become anthems of the age.

By 1969 when the hippies converged on Woodstock, N.Y., for three days of “Peace and Music,” Dylan was absent. Again he had changed the course of his music creativity and produced a country album. My favorite song from his 1969 album, Nashville Skyline, is Girl from the North Country. He teamed up with Johnny Cash on this song and appeared to be able to sing and carry tune. My father told me of an interview where Dylan was asked why he was able to sing so well on this album. Dylan said, “I stopped smoking cigarettes for a few weeks.”

For my 16th birthday, my father bought me a couple of cds. He handed me Blood on the Tracks and just said “Here, you’re going to need this.” I had no idea what he meant, but I would soon understand. This would become the most important album in my 20s. Some background: Dylan recorded this album after his separation from his wife Sara in 1975. The entire album is about love, love lost and trying fit pieces that don’t fit together anymore. I played that cd hundreds of times during my separation and subsequent divorce of my ex-wife. My father was right, I would need it.

There are too many meaningful lines from this album to pick my favorite, but here is one from Shelter from the Storm:

Now there’s a wall between us, somethin’ there’s been lost
I took too much for granted, I got my signals crossed
Just to think that it all began on an uneventful morn
Come in, she said
I’ll give ya shelter from the storm

Dylan continued to puzzle and amaze fans and critics. In the early 80’s he became a born-again Christian and released three Christian albums. Less than two decades before this, Dylan was said to have been the man that introduced the Beatles to marijuana. Now he was legitimately a believer and spreading the gospel of Jesus Christ through his music. By 1983 he returned to secular music and released the album Infidels, which would go Gold.
In 1989 he teamed up with the Grateful Dead to release the album Dylan and the Dead. Then he helped form the Traveling Wilburys and released two albums. That group featured some of the best rock musicians of the 20th century, which included Roy Orbison, Tom Petty, Jeff Lynne and George Harrison. That collaboration stands as two of my favorite albums of all time.

In the mid-90s Dylan nearly died from a bacterial infection, but battled through and made a classic album called Time Out of Mind. This would be his first Platinum record in nearly two decades. One of the more popular songs from that album is called “To Make You Feel My Love.” This song was so influential, it was covered by Billy Joel, Garth Brooks and later by Adele. I also had this song on my wedding playlist when I married Nakita in 2013 (we played the Adele version…her voice is a bit more pleasing for a wedding crowd).

My favorite line from that song:
I could make you happy, make your dreams come true
Nothing that I wouldn’t do
Go to the ends of the earth for you
To make you feel my love
While his music through the 80s, 90s and into the 21st century would not be as popularly acclaimed as his work during the 60s, Dylan manages to stay relevant. For his fans, his music is always cutting edge. His message, although at times in code, speaks to an audience.

The questions that Dylan always seems to bring up in terms of music and pop culture, are:

“What does it mean to be successful in music?”
“Does the evolution of an artist necessarily mean he/she is selling out?”
“Should an artist cash in his/her 15 minutes of fame while sacrificing relevancy in the future?”
“Does an artist have to produce top 40 hits to be successful or popular?”
“What is more important: the art, the message or the money?”

A close study of Dylan’s life and career will show that he is a paradox. Maybe even a hypocrite. Here is a man that left the ‘60s culture to sell country records. But in the 21st century he has been on more than one commercial. Or maybe he has been playing us the whole time as the commercial below alludes to:

He was the voice of counter-culture who turned into an evangelical Christian. Was this a part of a master plan to sell more records? Or was he being true to his experience at the moment? Or is he a man that truly appreciates making art that he is satisfied with?

To me, there are no answers to any of these questions. He is just an interesting musician to follow. You never know what you are going to get from one album to the next. That is what keeps all of us Dylan fans coming back.

HEMI-HEAD-SHOTJonathan Hemingway is a Chicago sports fan who reps the Bears, Bulls and Cubs. He’s also a diehard NFL Sunday Ticket subscriber. Like Clay, Hemingway’s music taste are wide-ranged and depend on the day. He is also a major part of PeachStateBasketball.com wearing multiple hats with the title of Director of Domestic Scouting and owning CoachHemi.com.

#PSBPopCulture: Young Stars, William Wesley, and the Dominance of Steph Curry: A Green Label Interview With Brandon Clay – January 17, 2016

Listen to more about this topic on the GreenLabel.com Report min mark:

Brandon Clay is a Georgia native and former ball player whose mission is guiding the nation’s top young ball players all the way to the hallowed halls of professional basketball.

Starting fresh out of college in 2002, at 20 Brandon began laying the groundwork for what would become Peach State Basketball, a scouting and recruitment enterprise that has evaluated the likes of Justise Winslow, and Jahlil Okafor. Now in its thirteenth year, his empire is international, having expanded its reach as far as Australia and Canada, a testament to the work that Clay and Keil Moore have put in to provide young basketball players with the tools and support they need to take their game to the next level.

Here we interviewed Brandon about his journey with Peach State, and lessons learned from his peers and heroes along the way.

READ THE FULL GREENLABEL.COM ARTICLE HERE: Young Stars, William Wesley, and the Dominance of Steph Curry: A Green Label Interview With Brandon Clay